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Cues & Variations Handout – Hairball Combo

This movement is part of the Shambling Shimmies Level 2 vocabulary.

HAIRBALL COMBO

Classification:  Slow

Basic Cue:

Cued out of Body Roll.  2 repetitions of Body Roll w/ arms in standard position, look down and slowly begin roll up.

Variations:  None.

Notes:

  • Follow movement of Reverse Body Roll w/ your eyes all the way out through the extension of the final pose.
  • The final pose is not too far off from the cue for a torso rotation, which can be a nice way to move back into center for other movements.
  • Since the movement is very slow, it is also easy to move into various poses from the ending pose of the hairball combo.
  • This move can also be cued by the current leader whenever the formation is facing away from the front.  This can be used to take advantage of situations where there is a group of people in the audience off to one side, for example.

Cues & Variations Handout – Arabic Spin

Shambling Shimmies L2 Group Vocabulary

ARABIC SPIN

Classification:  Fast

Basic Cue:  Cued from Arabic on ball w/ standard arm position (Arabic 2).  Cue by crossing arms at forearms overhead (palms facing each other), coming down on flat, and turning  head.

Variations:  None

Zills/Timing:  Timing – 4 count move

Zill Pattern:  3,7,3 (RLR  RLRLRLR  RLR)

Zill Pattern / Move Timing Broken Down:

4 i & a 1 i & a 2 i & a 3 i & a 4 i & a
R R L R R L R L R L R R L R R L
Ball Flat Ball Ball Ball
CUE Arms swoop around spin occurs Back in position

 

 

Cues & Variations Handout – Sahra Turn

Shambling Shimmies L2 Group Vocabulary

SAHRA TURN

Classification: Slow

Basic Cue: Cue is a floreo sequence – 5th, 3rd R, 5th, 3rd L, 5th, 3rd R – followed by a wrist lift.

Variations:

  • The ending pose can be deepened depending on the flexibility / skill level of the dancer(s).  *Try not to lead the pose deeper than other dancers in the formation are capable of harmonizing with*
  • Level … the ending pose can be brought down into a floor (lunge) level with a standard level cue (slight rise and then a slow drop onto the knee).  You would typically come out of the move and then switch to something else before rising again.

CHANGING LEAD

In a group dance format like tribal belly dance, changing up the lead is very important.  The shifting of the formation is visually interesting, and the variations in interpretation of the music from each leader will also add interest.  (Everyone has a few favorite moves that they tend to choose often, so if one person leads the whole song, you may not get as much variation in moves as you will get if multiple dancers take turns leading.)

FADING

Cue:

  • Leader will begin to move backwards with any traveling move.

Variations:

  • Within a few steps (especially if the formation has previously traveled forward), the second row has the option of following the leader in traveling backwards (if there is room), but after a few steps, the second row must come forward (the person who determines when the second row comes forward is the person on stage left – who would end up being the new leader after the lines switch).
  • Duets fade as usual AND then switch sides so that the new leader is on the left.

CIRCLING

Cue into the circle:

  • Leader will begin whatever move they wish to circle in and then do a quick, un-cued half turn to the right to face the rest of the formation.
  • Everyone will make eye contact, back up slightly to prepare, and then begin moving in a circle on the next downbeat.

Cue to take the lead:

  • New Leader will yip as they approach the front left corner of the stage (or performance area) and turn away from the chorus to face the audience.
  • Everyone else will fall into standard formation (they should already be very close to their positions).

Variations:

  • If the circle goes around once or twice and no one has taken the lead, someone should cue to take it back to the chorus.
  • See circle guidelines for options, guidelines, and cues for other things to be done in the circle rather than proceeding straight to another leader.

NOTES

  • To keep performances interesting, leaders should (as a general rule) keep their time short and then pass off the lead to others.
  • It is always a good idea to know who is behind you and next in line to take the lead to avoid passing it off to someone who you know is uncomfortable leading (in performance).
  • If you are uncomfortable leading (or your mind just goes blank) you can always just fade back or go into a circle.
  • It is important for EVERYONE who performs outside of the chorus to understand how to change leads (including how to cue).

New Tutorial!

Alrighty guys, it’s about time for us to put together a new tutorial.  Tell us what you want to see!  (You can browse the tutorial category to see what we’ve posted in the past, as well.)

 

Cues & Variations Handout – Turkish Shimmy

Shambling Shimmies L2 Group Vocabulary

TURKISH SHIMMY

Classification:  Fast

Basic Cue:

Bring arms into second (nice and high and curved, palms down/back), body angled to left.  Step forward (flat) w/ ¾ shimmy.

Variations:

  • Turns
    • ¼ turns… cue w/ head turn (optional double yip), one set of ¼ turns to sides (arms facing sides, body facing corners)
    • ½ turns… cue w/ ‘yip’ on ‘1’ and bring each hand all the way in to chest, 2 sets of ½ turns
  •             Teenager
    • Cue by bringing arms down to sides on ‘1’

Zills/Timing:

  • Timing – 4 count move (Teenager variation = 16 count move)
  • Zill Pattern – Standard Gallop/Longa (RLR) on the downbeat
  • Zill Pattern / Move Timing Broken Down –
1   &   2   &   3   &   4   &  
R   R L R   R L R   R L R   R L
R foot Fwd L foot (in place) R food Back L foot (in place)

Cues & Variations Handout – Sidewinder

Shambling Shimmies L2 Group Vocabulary

SIDEWINDER

Classification: Slow

Basic Cue: (Usually cued out of Basic Arms) Bring R hand in next to head, extend L Arm, look left.

Variations:

Levels – this move can be done when on the floor in a full lunge … ‘usually’ you would use something else (like basic arms) to actually get to the level (at least in L2) and then cue the move once you are down. … same process when going back up.

-This move also looks nice from the back, so is a good choice when cueing moves from back-leading positions.

Cues & Variations Handout – Bolero Walk

This move is part of the Shambling Shimmies Level 2 vocabulary.

BOLERO WALK (Slow)

Cue: Arms begin in 5th (backs of hands inward)… cue by flipping R hand over (right palm faces back of left hand) and dragging right arm down left arm in straight line and past left side of face continuing under face and out to R side extended 2nd position, tendu R leg out to 2nd w/ R arm.

Variations: none.

Other Notes: Because of the slow nature of this movement, and its simplicity, it is important for the group to appear synchronized in order to give the desired visual impact.  To accomplish this dancers should take special care to follow the leader for timing, and the leader to attempt to maintain a consistent timing.